Guitar string: tension to wave speed to the fifth harmonic
SPH3U Grade 11 Physics · Waves and Sound
For the waves unit, a student brings a guitar into the lab and the class turns one string into the experiment. It is a wound string, and its packaging lists a linear mass density of 4.00 g/m; a ruler laid along the neck puts the vibrating length — stretched between the nut and the bridge — at 65.0 cm. Brought up to pitch on the tuning machine, the string carries a tension measured at 67.6 N. Plucked open, it sounds its fundamental; touched lightly at the right spot and plucked again, it rings instead with a high, flute-like harmonic. Find the speed of a wave travelling along the string, the fundamental frequency it sounds when plucked, the frequency of its fifth harmonic, and the wavelength of that harmonic on the string.
Every number in this problem is editable — change any value below and the whole chain recalculates.
- μ = 4 g/m — Linear mass density of the string
- L = 65 cm — Vibrating length, nut to bridge
- F = 67.6 N — Tension in the string
- (a)the speed of a wave on the string
- (b)the fundamental frequency when plucked
- (c)the frequency of the fifth harmonic
- (d)the wavelength of that harmonic on the string
Wave speed is set by the string itself — tension pulling back, mass resisting — and by nothing else. The length has not entered yet, and neither has any frequency.
Carried onward at full precision, not this rounded figure.
Now the length matters. Fixed at both ends, the longest standing wave that fits is one half-wavelength, so λ₁ = 2L and f₁ = v/2L. A scale length is measured off the fretboard in centimetres and the speed from step 1 is in metres per second, so the 65.0 cm has to become 0.650 m before they can be divided.
Carried onward at full precision, not this rounded figure.
Every harmonic is a whole-number multiple of the fundamental, so the fifth is simply five times step 2.
Carried onward at full precision, not this rounded figure.
The universal wave equation, run backwards, with the speed from step 1 and the frequency from step 3. The answer must equal 2L/5 = 1.30 m/5 — check it.
Carried onward at full precision, not this rounded figure.
Therefore waves travel the string at 130.0 m/s, the open string sounds its 100.0 Hz fundamental, the fifth harmonic rings at 500.0 Hz, and that harmonic fits the string with a wavelength of 0.260 m — exactly 2L/5.
Why this order
The chain runs in this order because each stage adds exactly one new fact about the string. Step 1 uses only what the string is made of and how hard it is pulled; a luthier can change the speed with a tuning peg and nothing else. Step 2 adds the boundary conditions — clamped at both ends — which is what quantises the frequencies in the first place. Step 3 adds the integer. The commonest error is trying to shortcut from tension straight to pitch, which hides the square root: to raise a string's fundamental by an octave you must quadruple the tension, and guitars would be unplayable if that were the only way to change notes. It is not — fretting halves L instead, which is linear and costs nothing.
Step 4 exists as a cross-check, and it is the kind of check worth building the habit of. Two independent routes give the wavelength of the fifth harmonic: divide the wave speed by the harmonic's frequency, or note that five half-wavelengths must fit into 65.0 cm so λ₅ = 2L/5. Both land on 0.260 m, and if they had not, one of the earlier steps was wrong. This ladder of integer harmonics is also what makes a guitar sound like a guitar rather than a sine generator: all of them ring at once, in proportions set by where the string is plucked, and touching the string lightly one fifth of the way along silences everything except the multiples of five — the flute-like "harmonic" every guitarist learns in their first year.
Carried values move at full precision, not the rounded figure shown — chaining rounded numbers compounds error.